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・ Shakey River
・ Shakey the robot
・ Shakey's Pizza
・ Shakey's V-League
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・ Shakey's V-League 11th Season 1st Conference
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・ Shakey's V-League 12th Season Collegiate Conference
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・ Shakey's V-League 12th Season Reinforced Open Conference
・ Shakes (Tlingit leaders)
・ Shakes and Fidget
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Shakes versus Shav
・ Shakeshaft
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・ Shakespeare & Company (Massachusetts)
・ Shakespeare & Company (Minnesota)
・ Shakespeare (album)
・ Shakespeare (Anthony Burgess)
・ Shakespeare (crater)
・ Shakespeare (disambiguation)
・ Shakespeare (lunar crater)
・ Shakespeare (surname)
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・ Shakespeare and the Goddess of Complete Being


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Shakes versus Shav : ウィキペディア英語版
Shakes versus Shav

''Shakes versus Shav'' (1949) is a puppet play written by George Bernard Shaw. It was Shaw's last completed dramatic work. The play runs for 10 minutes in performance and comprises a comic argument between Shaw and Shakespeare, with the two playwrights bickering about who is the better writer as a form of intellectual equivalent of Punch and Judy.
==Origin==
The play was written by Shaw for the Lanchester Marionettes who were based in their own theatre in Foley House, Malvern, Worcestershire, England. The company's founders, Waldo and Muriel Lanchester, performed regularly in the Malvern Festival. Shaw, having seen their performances over the years, wrote ''Shakes versus Shav'' for the company in 1949. The play was the last expression of Shaw's long-standing "debate" with Shakespeare and critique of what he called bardolatry. He had earlier portrayed Shakespeare in his skit ''The Dark Lady of the Sonnets''.〔O Sullivan, Maurice J., ''Shakespeare's Other Lives'', Mcfarland, 2005, p.92.〕
Archibald Henderson points out that the play draws on a long tradition of satirical sketches comparing Shaw to Shakespeare, dating back to 1905, when a play by J. B. Fagan with the very similar title ''Shakespeare vs. Shaw'' was produced at the Haymarket Theatre. This sketch was in the form of a court case in which Shakespeare sues Shaw following a lecture Shaw had given earlier in the year in which he had said that Shakespeare was a "narrow minded middle class man" with "no religion, no politics, no great concerns". Shaw often participated in these skits, by lending costumes, or even writing dialogue for one entitled ''His Wild Oat'' (1926). The ghosts of Shakespeare and Shaw also appear in ''Back to G.B.S.; or A Midsummer Nightmare'' (1932), a fantasia set in the year 2156, when the two playwrights have become confused with each other. Another, ''Bernard Shaw Arrives: A Fantasy in One Act'' was a parody of ''Don Juan in Hell'' in which Shaw, Shakespeare and Mephistopheles engage in a debate.〔Archibald Henderson, ''George Bernard Shaw: Man of the Century'', Appleton-Century-Crofts, New York, 1956, p.720ff.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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